{"id":10415,"date":"2024-06-27T16:08:12","date_gmt":"2024-06-27T14:08:12","guid":{"rendered":"https:\/\/arearea.it\/?post_type=artista&#038;p=10415"},"modified":"2026-08-16T14:59:26","modified_gmt":"2026-08-16T12:59:26","slug":"valentina-saggin","status":"publish","type":"artista","link":"https:\/\/arearea.it\/en\/artista\/valentina-saggin\/","title":{"rendered":"Valentina Saggin"},"content":{"rendered":"\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-small-font-size has-custom-font-size wp-element-button\" href=\"https:\/\/arearea.it\/wp-content\/uploads\/2024\/06\/VALENTINA-SAGGIN.pdf\">\u2192 Download Curriculum Vitae.pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">TRAINING EXPERIENCE<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In 2009\/2010 she attended the two-year course \u201cScritture per la Danza Contemporanea\u201d (Writings for Contemporary Dance) directed by Raffaella Giordano, with the support of the Teatro Stabile di Torino and L\u2019Arboreto di Mondaino, where she met Gey Pinn (Grotowski method, poor theatre), Chiara Guidi (Soc\u00ecetas Raffaello Sanzio), Cinzia De Lorenzi (Danza sensibile), Francesca Della Monica (vocal techniques), Mar\u00eda Mu\u00f1oz and Pep Ramis (Mal Pelo).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">PERFORMANCE EXPERIENCE<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Since 2002 she has been part of the core ensemble of Compagnia Arearea, working as a dancer, choreographic assistant, and choreographer. In 2016 she performed in \u201cPlay with me,\u201d a show for young audiences that won the Piccolipalchi 2017\/18 audience award. Since 2014 she has been choreographic assistant to Marta Bevilacqua, on the works: Ruedis_ruote di confine (2014); Le Quattro Stagioni (2016); the Choreographic Novel trilogy, co-produced by HangartFest \u2013 Contemporary Dance Festival of Pesaro (2018\u20132020), BO.LE.RO (2023), OZ (2024), Lo Schiaccianoci (2025). In 2025 she was choreographic assistant to Alessio Maria Romano (Silver Lion, Biennale Teatro 2020) on the show PETIT #1 (2025).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">EXPERIENCE AS A CHOREOGRAPHER<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In 2010 she created \u201cSentire nella memoria,\u201d a finalist at the XVI Festival of Choreographic Miniature at the National Theater of Belgrade. The solo was later presented that same year at \u201cAnticorpi XL \u2013 Vetrina della giovane danza d\u2019autore.\u201d<br>In 2014 she created \u201cGod, don\u2019t save the queen!,\u201d presented at Anticorpi XL. From 2021 to 2023 her research focused on exploring the themes of geographic and political borders in depth. In 2021 she created \u201cAttraverso,\u201d a project born out of the performance Visav\u00ec, presented in October 2020 in Piazza Transalpina in Gorizia at the Visav\u00ec Dance Festival, whose research delves into geographic and political borders. In 2022 her attention turned to the natural environment, specifically the Isonzo river, and she created \u201cCome un acrobata sull\u2019acqua\u201d; she concluded the trilogy in 2023 with the inner limit \u2014 that is, the individual with and against themselves \u2014 in \u201cInside Human Being.\u201d<br>Currently, her research has turned toward the feminine, drawing inspiration from the women Ulysses encountered on his journey. The first show of this trilogy, presented as a work-in-progress, is Circe (2025).ransalpina a Gorizia a Visav\u00ec Dance Festival e la cui ricerca vuole affondare nei confini geografici e politici. Nel 2022 l\u2019attenzione si sposta sull\u2019ambiente naturale, nello specifico il fiume Isonzo e crea \u201cCome un acrobata sull\u2019acqua\u201d; conclude la trilogia nel 2023 con il limite interiore, ovvero l\u2019uomo con e contro se stesso: \u201cInside human being\u201d.<br>Attualmente, la sua indagine si \u00e8 rivolta al femminile, prendendo ispirazione dalle donne incontrate da Ulisse nel suo viaggio. Il primo spettacolo della trilogia, presentato in forma di studio, \u00e8 Circe (2025)<\/p>\n","protected":false},"featured_media":7264,"template":"","meta":{"_acf_changed":false},"class_list":["post-10415","artista","type-artista","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/arearea.it\/en\/wp-json\/wp\/v2\/artista\/10415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arearea.it\/en\/wp-json\/wp\/v2\/artista"}],"about":[{"href":"https:\/\/arearea.it\/en\/wp-json\/wp\/v2\/types\/artista"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arearea.it\/en\/wp-json\/wp\/v2\/media\/7264"}],"wp:attachment":[{"href":"https:\/\/arearea.it\/en\/wp-json\/wp\/v2\/media?parent=10415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}